Family photo collection inherited by Infrogmation (talk)
Tired of unimaginative plots and stale movie lines? Instead of going to the movie theater this holiday season, consider renting a TV. series that enlivens the mind with both strong male and female characters. The TV. series, The House of Eliott, conducts fresh plots and conveys witty lines in this dramatic rendition of a 1920s fashion house. The House of Eliott explores the unknown world of Coterie fashion. The House of Eliott reveals the creation of ready-to-wear clothes. This British TV. series brings fresh appeal to drama TV. through multiple, fast-moving plots and witty dialogue, as it explores the zenith of Coterie fashion.
Two sisters, played by actresses’ Stella Gonet and Louise Lombard, build a Coterie fashion house to support themselves and to stage their unique and bold designs. The Coterie allows the sisters to explore the unknown world of wealthy, influential fashion. It is an unusual fashion design business venture for two unmarried sisters in 1920s England and not well-received by either the fashion icons of the time or family members. The Eliott’s Coterie grows into a well-established British fashion house despite financial struggles and employee intrigue. Stella Gonet wrote the screen script for the series as a way to challenge her acting abilities and her audience. The behind-the-scenes process of Coterie women’s designs is re-created with flare and historical accuracy. The series answers several poignant questions, including how ready-to-wear clothes originated and the reason for their poor quality, when compared to their sister Coterie designs.
Most of the populace has no control over designer fashion: the length of skirts, how much blouses reveal, how feminine or un-feminine ready-to-wear outfits are, and the choice of colors and patterns. Designers prepare outfits for the populace, with the hope that the populace will reveal their wishes by purchasing or not purchasing their designs. The House of Eliott explores how the ready-to-wear industry began and the mass appeal that resulted. World War I introduced a new type of worker into the workforce: the female secretary. Female secretaries were smart, independent, and chic. They earned a middle-class living, which brought a new demand to the fashion world: affordable designer clothing and womens designer handbags. Coteries, like the House of Eliott, took their expensive designs and altered them to meet middle-class tastes. The intricate stitch work, flowing material, and expensive fabric of Coterie were replaced with ready-to-wear material, such as cotton. When the altered designs first arrived in department stores, ready-to-wear fashions were unique from one another, resulting in a lasting, mass enthusiasm. The House of Eliott recreates this world with a Coterie boldness and ready-to-wear flare in its own way, making it a Coterie of TV. drama.
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